graphic design hong kong

graphic design hong kong an and European graphics, gave him a fresh perspective.”As a gweilo, I wasn’t stuck with an innate sense of having to follow the traditions. I felt free to reinterpret them.” Thus his original and distinctive concept of cross-cultural design – elaborated on in his 1995 book of the same name – wahe bank’s saltire flag. Along with many colonial hgraphic design hong kongongs – Swire and Jardine Matheson, for example – the bank has a Scottish heritage and a flag that contains some variation of the St Andrews Cross, the bold diagonals of which inspired the concept.He’s also recognised for having designed several series of banknotes for Standard Chartered.starting in 1979.”Unlike other governments, Hong Kong doesn’t use portraits on its banknotes,” he says. (It’s thought that famous faces enhance security because people are more likely to notice a counterfeiter’s distortion of familiar features). it’s hard to feel a connection. from the fish on the HK$20 note to the most potent creature, the dragon,The latest series, released in 2010.uses the reverse sidegraphic design hong kong of the notes to explore the relationship between Chinese heritage and contemporary technologys born. For one 12-year cycle he redesigned his stationery annually to feature a contemporary reimagining of each year’s animal of the Chinese zodiac. During the Year of the Rabbit, the white rabbit from Alice in Wonderland replaced the traditional Chinese bunny.For the American Chamber of Commerce in Hong Kong, set on graphic design hong konga background of 13 stripes representing the original colonies of the United States. For the Yale Club of Hong Kong he created a wordmark; the letters composed of both the straight lines of the Roman alphabet and the soft brush strokes of Chinese calligraphy. Roman and Arabic numerals.Steiner’s best known logo is HSBC’s ubiquitous redand-white hexagon. He derived the design from the bank’s saltire flag. Along with many colonial hongs – Swire and Jardine Matheson, for example – the bank has a Scottish heritage and a flag that cgraphic design hong kongontains some variation of the St Andrews Cross, the bold diagonals of which inspired the concept.He’s also recognised for having designed several series of banknotes for Standard Chartered.starting in 1979.”Unlike other governments, Hong Kong doesn’t use portraits on its banknotes,” he says. (It’s thought that famous faces enhance graphic design hong kongsecurity because people are more likely to notice a counterfeiter’s distortion of familiar features). it’s hard to feel a connection. from the fish on the HK$20 note to the most potent creature, the dragon,The latest series, released in 2010.uses the reverse side of the notes to explore the relationship between Chinese heritage and contemporary technology. Most of us graphic design hong kongtake our cash from an ATM without a second glance but, when you stop the bank’s saltire flag. Along with many colonial hongs – Swire and Jardine Matheson, for example – the bank has a Scottish heritage and a flag that contains some variation of the St Andrews Cross, the bold diagonals of which inspired the concept.He’s also recognised for having designed several series of banknotes for Standard Chartegraphic design hong kongred.starting in 1979.”Unlike other governments, Hong Kong doesn’t use portraits on its banknotes,” he says. (It’s thought that famous faces enhance security because people are more likely to notice a counterfeiter’s distortion of familiar features). it’s hard to feel a connection. from the fish on the HK$20 note to the most potent creature, the dragon,The latest series, released in graphic design hong kong2010.uses the reverse side of the notes to explore the relationship between Chinese heritage and contemporary technologyo look at the notes, you can see that they are both striking and profound. The HK$50 note sets an ancient Chinese combination lock against the door of a modern bank vault. The HK$100 note depgraphic design hong kongicts a seal with Song-dynasty characters superimposed on a printed circuit board. The HK$1,”I’m especially proud of this most recent set,” says Steiner. “I’ve now evolved the animals to a point where they’ve got an almost human presence and they look back at you.”It’s an attribute they share with their creator. Steiner hahttp://www.blackmedia.hk/index.php?route=service#services-6-21